One
of my favorite film genres is the classic Japanese horror flick. I can easily
have my mind escape into this foreign world. This is exactly what I was
prepared for when I took a chair in Palais C for the market screening of
Takeshi Furusawa’s “Another.”
Set
in the 1990s, our protagonist Koichi (Kento Yamazaki) recently moved into a new
town and transferred to a new school. Koichi’s assigned classroom is number
3-3. There is a reputation about classroom 3-3, though. A beloved classmate
died more than 30 years ago, and to remember her, the class came up with the idea
to have a porcelain doll sit in her seat. Logical, right? The students would
pretend that the doll was alive and would continue to talk to it. The teacher
even encouraged everyone to say goodbye to the doll before going home after
school.
After
awhile, students began to not notice the doll anymore. This triggers a series
of actions, very similar to “Final Destination”, where no matter where you are,
you are going to die. Accidental deaths became very common in this Japanese
town. So common, that people do not take notice anymore for any one particular
person.
Fortunately,
one man did: the librarian. He discovered that if the class of 3-3 unanimously
votes to ignore one student for an entire year, the curse would be lifted and
no deaths would happen. Ignore means that they can’t look at, talk to, or even
mention the chosen pupil.
When
Koichi arrived at the school, his classmates fail to inform him that there is a
student that he needs to ignore. He missed the first couple weeks of classes
because of a lung infection, thus missing the “ignoring” ceremony. It goes
against the rules for the students to tell Koichi that there was in fact
someone he should not be talking to.
This
is when Koichi starts seeing visions of a girl. Specifically, a girl with an
eye-patch. Koichi continuously gets his students’ attention, and points at the
girl, but no one notices. One day, he was able to reach the girl, and ask for
her name. She is Mei (Ai Hashimoto).
Koichi
begins to ask all these questions, and she tries to answer them. Mei informs
him that he shouldn’t be talking to her. This prompts the series of unfortunate
events. A student notices the two talking and runs toward Koichi. The students
then slips on some inconveniently placed water and then into an as equally
inconveniently placed umbrella handle that slides right into her head. The
student’s remaining words to Koichi were “why?”
The
students of 3-3 all hear the commotion and run to the scene. They notice Koichi
with Mei: a horrible sign. The students then hold another ignoring ceremony,
only this time voting on Koichi.
Koichi
arrives the next day in class, and sits in his usual seat. That is when he
noticed that no one was interacting with him. He sees Mei in the hallway, and
leaves with her. Koichi begins to ask Mei more questions, like why she has an
eye-patch. The eye-patch, which the audience thinks is the source of all evil
in the film, actually is just Mei’s insecurity over an eye-color birth defect.
They
stroll around town for a little bit, providing insight into the cursed doll
that lives in the school, as well as the librarian who has put together most of
the mystery as to why the doll kills. The librarian says that there is someone
in the school currently who has a “spirit” that leaches its power from
everyone.
The
next day at school, the principal decides that there needs to be a class field
trip to have the students’ minds forget about all the deaths that have
occurred. How fitting for the class of 3-3 to go into the middle of the woods
and take lodge in an abandoned building. The deaths start to intensify as the
most absurd occurrences happen.
One
student died from a tree impaling him in the head. Another student bled to
death from his hand being cut off from a knife in the kitchen. Even some
students died from just leaning too far over the railings in the stairways. Now
the class is going insane and the rumor gets out that one of them has the
“spirit” that has been haunting them.
Now
rather than accidental deaths, students start killing each other to rid the
spirit once and for all. Now it turns out that Mei has a gift with the birth
defect after all. She can see the “spirit” in people’s souls. Koichi and Mei
begin to run around, looking at everyone. Mei sees that a teacher is in fact
the bearer of the “spirit”; and the bearer happens to be Koichi’s aunt.
As
the aunt begins to explain why she shouldn't be killed, the librarian comes out
from the corner and throws her into the fire that was started earlier by
homicidal students. The curse has been broken!
But
not so fast! Just like any horror flick, there needs to be a build up to a
potential sequel. So when everyone returns (and when I say everyone, I mean the
remaining 10 students who didn’t die) to class, the doll is sitting in her
seat. The students, including Koichi and Mei, look at each other, and then cut
to the credits!
While
I would have wished for more killings from a more “alien object”, “Another” had
a mediocre cast that was actually lifted by Kento Yamazaki’s performance.
Though this movie won’t be as good as “The Ring” and “The Grudge” predecessors,
it will definitely be campy enough for people to enjoy a night of horror.
Written by Sachiko Tanaka, Yukito
Ayatsuji, Takeshi Furusawa; directed by Takeshi Kurusawa; produced by Takeshi
Kurusawa; WITH: Kento Yamazaki and Ai Hashimoto
Running time: 90 minutes
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